Hanuman Movie Review
Movie Name: Hanuman
Starring: Teja Sajja , Amritha Aiyer , Varalakshmi Sarath Kumar, Vinay Rai , Raj Deepak Shetty, Vennela Kishore, Getup Srinu, Satya
Writer And Director: Prasanth Varma
Producer: K. Niranjan Reddy
Executive Producer: Asrin Reddy
Banner: PrimeShow Entertainment
Presents: Smt. Chaitanya
Music: GowraHari, Anudeep Dev, Krishna Saurabh
Editor: Sai Babu Talari
Cinematographer: Shivendra
Release Date: 12 January 2024
Prasanth Varma and Teja Sajja’s Hanu-Man is one film that has grabbed the eye of the whole gang throughout recent months. The producers advanced the film forcefully. The group is exceptionally sure, so they proceeded extraordinary premiers everywhere. Did Hanu-Man satisfy the monstrous assumptions encompassing it? How about we find out.
Story:
Hanumanthu (Teja Sajja), hailing from Anjanadhri, is an insignificant hoodlum. Anjamma (Varalaxmi Sarathkumar), his older sister, is very good with him. Hanumanthu loves Meenakshi (Amritha Aiyer), who additionally has a place with a similar spot. Gajapathi (Raj Deepak Shetty) professes to be the deliverer of Anjanadhri from outlaws, however he practices command over the locals. At some point, Meenakshi rebels against Gajapathi, which makes the last option assault the previous. While attempting to save Meenakshi, Hanumanthu lands in a difficult situation. This is when Hanumanthu finds a valuable stone through which he gets superpowers. What occurred straightaway? How did Hanumanthu utilize his superpowers? How is Micheal (Vinay Rai) associated with the plot? To find the answers, watch the movie.
Besides Focuses:
What functions admirably with HanuMan is its goosebumps-actuating minutes and humor. Prasanth Varma planned a couple of extreme groupings hoisting Master Hanuman, and crowds make certain to go insane for these scenes. They are elegantly composed, and the strong foundation score by Gowra Hari during those scenes takes the effect on a higher level.
Especially, the extensive finale episode makes certain to blow the personalities, and the VFX works here are amazing. Nearly, there is more show and feelings in the subsequent hour. However the pacing dials back now and again, the high minutes drive the film forward. One such arrangement that lifts the spirits is the battle grouping, where Teja saves Amritha. Aiyer is flawlessly formed. The good to beat all here is the people tune played behind the scenes.
From the second Teja Sajja gets superpowers, the film turns out to be seriously engaging. The references to the star heroes are cleverly woven into the story, and the comedy scenes that follow those references are pretty much entertaining. The design of the interval action block is excellent. It is both engaging and strong simultaneously.
Teja Sajja assumed his part flawlessly. As a longshot, Teja made a persuading showing, and his weakness is flawlessly shown. Teja’s exhibition was too great in the last hour. Varalaxmi Sarathkumar performed admirably. Amritha Aiyer is fine as Teja’s affection interest. Satya and Getup Srinu stimulates the tomfoolery bones with their idiosyncrasies.
Negative Points:
The film isn’t without blemishes, and the critical angle where the film might have been vastly improved is its storyline. It’s something we’ve already seen in a lot of movies. The idea of a villain attempting to gain control of the world through the acquisition of superpowers is not new. Prasanth Varma skilfully covers this disadvantage with swarm satisfying minutes. The main adversary’s personality is hackneyed, and the composing might have been exceptional here.
The initial forty minutes of the film run on a level note. In terms of visual effects, the creators made every effort, but there is still a lot of room for improvement. A night grouping that comes in the main half needs lucidity with respect to what’s going on, and the execution here isn’t sufficient.
Specialized Perspectives:
The foundation score by Gowra Hari is standout, and particularly his work during the peak block is top notch. On screen, the folk song was good, and the rest were okay. The cinematography by Shivendra is slick. The altering isn’t perfect, and a couple of groupings might have been abbreviated.
Prasanth Varma’s vision is sublime, and the youthful chief put on a big show with Hanu-Man. Despite the fact that the film has a pounded into the ground idea, the chief embeds high minutes at standard stretches and keeps one locked in. Prasanth Varma takes the effect a couple of bit higher with the most recent twenty minutes. Every one of the scenes connected with Ruler Hanuman are first rate.
Verdict:
In general, Hanu-Man is a connecting with superhuman film that is high on goosebumps-actuating minutes. The film’s greatest strengths are its final half hour, which contains numerous memorable moments and is filled with humor. In spite of a natural storyline, Prasanth Varma figures out how to hold our consideration generally. How Ruler Hanuman is raised with tremendous exchanges and foundation score will evoke an emotional response from crowds.
Teja Sajja, Varalaxmi Sarathkumar, Amritha Aiyer, and others worked effectively. The film gets hauled in a couple of scenes, and the underlying thirty minutes might have been something more. Regardless, Hanu-Man is a decent watch this Sankanthi season.
